Hana Jakrolva
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| danyves |
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 Vieux briscard Messages : 4810Depuis le 23 juil 2007 Normandie  |
Photographe tchèque. Traitement de la couleur dans la lignée de Martin Parr:
Parfois dans le vent de la mode parfois conceptuelle. http://www.hanajakrlova.com/index.php De la couleur et du tourisme: http://www.hanajakrlova.com/port_foto.p ... ty%20times |
| michelangelo |
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| titi |
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| danyves |
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Vieux briscard Messages : 4810Depuis le 23 juil 2007 Normandie |
C'est la nouvelle tendance du marché de la photographie:
La tendance light; pour le marché de New-York : fashionable. Où a disparu tout respect du sujet...... http://www.lightstalkers.org/looking-fo ... c-republic http://www.lightstalkers.org/hana_jakrlova Hana Jakrolva connaît le marketing photographique: on tourne beaucoup de sujets en dérision...... Martin Parr n'en n'est pas loin, Philip Jones Griffith au fond ne l'appréciait guère : Magnum Light à l'opposé du Real Magnu,. |
| Dernière édition par danyves le mercredi 23 avril 2008 - 15:29, édité 1 fois. | |
| titi |
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| danyves |
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Vieux briscard Messages : 4810Depuis le 23 juil 2007 Normandie |
Exactement, mais il faut savoir que cela existe, et va croissant.
"auctions 2006 – watermill foundation, photography auction, usa 2006 – aftermath project, photography auction, usa 2006 – fotofest, photography auction, houston, usa 2006 – images against war, germany 2002 – fotofest, photography auction, houston 2002 – prague house of photography, auction, czech republic" |
| titi |
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| michelangelo |
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| danyves |
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Vieux briscard Messages : 4810Depuis le 23 juil 2007 Normandie |
C'est ausi hélas ce qui plaît aux éditeurs...... |
| Jean-Sébastien (Focus16) |
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 Spécialiste Messages : 1267Depuis le 28 avr 2004 Montréal |
A voir sur le blog de Magnum la fin de l'interview de Burt Glinn et de Elliott Erwitt où ils parlent un peu de cette tendance.
http://blog.magnumphotos.com/2008/04/the_imagemakers.html |
| michelangelo |
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| danyves |
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Vieux briscard Messages : 4810Depuis le 23 juil 2007 Normandie |
From Magnum blog on Erwitt and Glinn
"EE: Certain fundamental things. In my reign I had for example the unpleasant task of firing our bureauchief. My biggest achievement .... (laughs) - my biggest effort I should say - was to try to keep Henri Cartier Bresson from quitting. PF: Were you succesful? EE: Yeah, using all kinds of tricks. PF: Such as? EE: Well I don't know if this is for publication... (grins). PF: Didn't you in 1968 help Koudelka (Magnum member since 1974) out of Prague? EE: That had nothing to do with being president. BG: That had to with being Erwitt."..... "EE: The journalistic business however is pretty well over. Compared to what it used to be because there is simply no place for it. And especially for freelancers. There might be some place for people who are on salary. But that's the market place. The market place rules what we do. Some people succumb to the market place in a way that they shouldn't. Now we have some people - very few - who use photoshop which is absolutely unimaginable... PF: In Magnum? EE: In Magnum. We have a rule now that it has to be indicated. But they are there, and they are artistical. BG: "Artistical"? (laughs) EE: (Grins) It's my mother's coinage. Yes, we have artistical people, which is a big problem. BG: And they take pictures that are full of "truthiness". EE: (laughs) Artistical truthiness! Very good. PF: As Magnum members, what do you think is your influence on those developments? EE: Minor. BG: Recently they had a whole section of photographs of the year I believe in Time Magazine and I noticed that at least two of the photographers that I had felt we should have paid attention to had applied for Magnum membership, and they were turned down with "they're just journalists". EE: Listen, we turned down some pretty amazing people. We turned down Robert Frank - before he was famous, of course. We turned him down, including Henri, because we felt that he could be difficult. PF: You are still in Magnum, so there must be something, people in Magnum that you feel connected with. EE: Of course! BG: You can't just judge... The first thing you got to look at is: are they good photographers. But you should also judge them on the fact what kind of human beings they are... EE: Right. BG:... it's close knit and you got to at least have somebody that has a kind of feeling about life and people. EE: Well, I mean, if you just want to condense it: There are people who are great photographers but totally egocentric. Just people who do not belong in a team. Such a person should be working on his own." (c)magnum blog |
| Paradoxal |
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 Membre des Amis Messages : 7896Depuis le 12 fév 2006 Belgique |
Euh.... N'oublie pas que certains ici ne comprennent pas l'anglais.
Et il est écrit quelque part dans les règles que Summilux est un site où la langue française est de mise. Merci. Paradoxal |
| titi |
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| michelangelo |
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